Mono.Kulturis a quarterly magazine publishing interviews with creatives in the arts and culture in a wider sense.
Each issue features a single in-depth interview and dedicates the entire issue to the interviewee. With this radical focus on only one feature the editorial design adapts to the theme of the interview, the only constant being an unconventionalDIN A5-Format.
"mono.kultur #45 is our homage to the great mythical city that is New York. And who better to talk to about New York than the acclaimed novelist and screenwriter Richard Price? Best known for his gritty observations of urban life and a sharp ear for the rhythms of language, Price gained international attention with novels such as Clockers or Lush Life, and his work for numerous films and television serials, including The Night Of and The Wire.
While Richard Price’s novels are usually filed in the crime section, they easily transcend all genres with their precise and tender depictions of New York life on street level, dissecting the clash of different realities within the same block, listening in on ‘the liars, the heroes, the killers, the killed, the stunned, the clownish, the helpless, the bereaved.’
Richard Price adopts a hands-on approach when it comes to research: hanging out in the neighborhood, talking to strangers and going for ride-alongs with cops to see a darker side of the city. In many ways, it is this wide-eyed curiosity that allows his books to be read as time capsules of a New York in constant flux, revealing an uncanny understanding for knowing exactly what people want, need, envy and resent about the cities they inhabit.
In a conversation peppered with anecdotes and bebop, meandering from the Bronx, to Harlem, to the Lower East Side, Richard Price talked with mono.kultur about the need to live in order to write, working for Hollywood, and why hanging out is a professional matter.
Visually, the conversation with Richard Price found its perfect sparring partner in a selection of stunning images by cab driver turned photographer Joseph Rodriguez, chronicling life in the latter half of the 1980s in Spanish Harlem. In the tradition of pulp novels, we are also proud to feature our very first ever foil embossed cover."