Art, every month.
"Liliane Lijn interviewed by Chris Clarke - I began to understand that the object of what I had been making were these shadows. It was ephemeral but it was also material, so it was both.
Class Distinction - Morgan Quaintance asks what continues to suppress the working class in the visual arts sector, and what are their prospects for the future
In much the same way as the colonial subject existed as the irrational other against which the rational, civilised and civilising western subject was measured, the working-class subject must inhabit a position of socio-cultural lack to fulfil the role of uncultured other.
Jasper Marsalis - Michael Kurtz
In November 2020, Jasper Marsalis left a crater in the rubble of a vacant site in Minneapolis. The simple earthwork was surrounded by seven powerful floodlights and titled Stadium, but there were no performers and no crowds.
Class Actions - Mainstream representations of the working classes, which are rarely produced by people who would consider themselves working class, deliver a level of misrepresentation that ultimately leads to either scapegoating or erasure.
Joel Budd, in his new book Underdogs: The Truth About Britain’s White Working Class, refers to this as ‘ventriloquising’, an example being how the middle classes project their own prejudices, for instance about migration or Europe, onto the working classes."
