Art Monthly Issue 501
Art Monthly Issue 501
Art Monthly Issue 501
Art Monthly Issue 501
Art Monthly Issue 501

Art Monthly Issue 501

Regular price £7.50 Sale

Every single month, the art CANNOT be stopped. 

"Interview

Inside a Crowd

Beatrice Gibson interviewed by María Palacios Cruz

It’s a crowd of voices, from the people in the work, the ones who are alive, to the ones who are no longer with us ... I can only do what I’m doing if I’m inside this assembly, inside a crowd. I can’t do it alone.

Feature

Art & Ufology

Jamie Sutclffe argues that we have been rendered susceptible to the irrational by cynical, politically motivated misdirection

The logic goes: when media feeds are saturated with the diffuse threats of proxy war combat, the existential risks of deregulated AI development, resource scarcity and the potential presence of extraterrestrial life on earth, the attention of the electorate becomes distracted, confused, pliable. ‘Reality’ itself becomes a medium to be sculpted.

Feature

Who was Sigmar Polke?

Michael Archer reencounters the work of the elusive German artist 50 years after he first came across it

Sigmar Polke’s discontent with the Art Informel and Tachiste-oriented art taught in the academy manifested in his rejection of the idea that art could serve as an aesthetic salve to West Germany’s troubled conscience.

Profile

Olu Ogunnaike

Phoebe Cripps

The more you see of your reflected self, the less you see of the image. My whiteness enters the night shots of Olu Ogunnaike’s friends and family, interrupting the intimate conversation between the images across a narrow space, ineluctably positioning my perception.

Editorial

The Last Word

Some argue that social media has ushered in a new ‘post-literate’ age but arguably, since the invention of the Gutenberg Press six centuries ago, technological changes have always altered the way people read.

Whatever the school riots that engulfed France last month developed into, the students who originally took to the streets to protest are clearly still passionate about education and, presumably, about reading. A society that does not value literacy, including visual literacy, is vulnerable to tyranny.

Letters

Strike at Goldsmiths

Goldsmiths University Strikers outline the effects of senior management’s proposed cuts.

Manifesta Omission

Penelope Curtis is surprised that AM’s review of Manifesta did not make clear the exhibition’s central premise: that each presentation took place in a church.

Artnotes

Kemi Axes Arts

Tory leader Kemi Badenoch pledges to halve the UK’s culture budget; the Labour government will retain free entry to museums; the Local Government Association proposes a new framework for arts investment; the Art Circle of Congolese Planation Workers forms a new collection of donated artworks to support the reforestation of postcolonial land; storm damage afflicts the Uffizi and the Venice Biennale; NY MoMA faces renewed protests over a disgraced trustee; Getty Images files for bankruptcy; plus the latest on galleries, people, prizes and more."