Source Issue 118 features:
- New Cornish Space (TONER) / International Centre for the Image, Dublin / The Memory of the World (UNESCO) / Contending Obscurity: The Only Camera Obscura on the Island of Ireland / New Photography Network (Photo Connect) – reports by Susanna Galbraith / Are Photos (Police) Evidence? – article by Emily Williams
- SCREENGRAB
Watch Duty
Column by Eleanor Howard
- FLOTSAM
Phillips, New York – Color Vision: Masterworks by William Eggleston – LOT 8 $508,000
Column by Orla Fitzpatrick
- IS FASCISM BACK?
Jonathan Long and Jennifer Evans on the visual culture of fascism
Interview by Richard West
- WHAT TYPE OF PHOTOGRAPHER ARE YOU?
Catherine Losing discusses her practice as a Still Life photographer
As told to Chloé Morrison
- Retrospective Portfolio
FELICITY HAMMOND
Interview with Hannah Redler-Hawes
- Jigs
NEW WORK BY JAN MCCULLOUGH
Text by Hester Keijser
- System
NEW WORK BY JOHN MACLEAN
Text by Owen Hatherley
- The Face: Culture Shift
National Portrait Gallery
Exhibition review by Stephen Bull
- The Struggle with an Angel: Gerard Byrne
Kerlin Gallery
Exhibition review by Declan Long
- No Iconic Images: Views of War
Open Eye Gallery
Exhibition review by Jennifer Good
- A Fish Called Julie: Jon Tonks
Martin Parr Foundation
Exhibition review by Eve Forrest
- Heroin Fall: Lindokuhle Sobekwa & Graham MacIndoe
Sainsbury Centre
Exhibition review by Hannah Halliwell
- RESISTANCE: How Protest Shaped Britain and Photography Shaped Protest
Turner Contemporary
Exhibition review by Antigoni Memou
- Life Itself: Photography and South Africa
Simon A. Clarke
Book Review by Marie Meyerding
- The Synthetic Eye: Photography Transformed in the Age of AI
Fred Ritchin
Book Review by Ann Marie Curran
- The Use of Photography
Annie Ernaux, Marc Marie
Book Review by Colin Graham
- 3300
Nirvana Heire
Book Review by Simon Denison
- I Carry Her Photo With Me
Lindokuhle Sobekwa
Book Review by Richard West
- Blind Corners: Essays on Photography
Michael Collins
Book Review by Melissa McCarthy
